"Introduction: What is True About Artemisia?" by Sheila Barker; "Identifying Artemisia: The Archive and the Eye" by Mary D. Garrard; "Mary Magdalene in Ecstasy and the Madonna of the Svezzamento: Two Masterpieces by Artemisia" by Gianni Papi "Deciphering Artemisia: Three New Narratives and How They Expand our Understanding" by Judith W. Mann "Unknown Paintings by Artemisia in Naples, and New Points Regarding Her Daily Life and Bottega" by Riccardo Lattuada "Artemisia Gentileschi’s Susanna and the Elders (1610) in the Context of Counter-Reformation Rome" by Patricia Simons "Artemisia’s Money: A Woman Artist’s Financial Strategies in Seventeenth-Century Florence" by Sheila Barker "Artemisia Gentileschi: The Literary Formation of an Unlearned Artist" by Jesse Locker "Women Artists in Casa Barberini: Plautilla Bricci, Maddalena Corvini, Artemisia Gentileschi, Anna Maria Vaiani, and Virginia da Vezzo" by Consuelo Lollobrigida "‘Il Pennello Virile’: Elisabetta Sirani and Artemisia Gentileschi as Masculinized Painters?" by Adelina Modesti "Allegories of Inclination and Imitation at the Casa Buonarroti" by Laura Camille Agoston "Mary Magdalene in Ecstasy by Artemisia Gentileschi. A Technical Study" by Christina Currie, Livia Depuydt, Valentine Henderiks, Steven Saverwyns, and Ina Vanden Berghe